With her holistic approach to teaching, Mariam nurtures musical talent in both children and adults, irrespective of their skill level.
Students under Mariam's tutelage will benefit from her rich performance history and innovative approach to music.
Her SPEED-LEARNING methodology rests on the following four tenets:
- Identify students' abilities and goals
- Structure individualized approaches...
With her holistic approach to teaching, Mariam nurtures musical talent in both children and adults, irrespective of their skill level.
Students under Mariam's tutelage will benefit from her rich performance history and innovative approach to music.
Her SPEED-LEARNING methodology rests on the following four tenets:
- Identify students' abilities and goals
- Structure individualized approaches & repertoire based on optimal pathways to learning; build on each student's strengths while redressing lacunae
- Implement organic development of skills and knowledge; advance keyboard technique in close symbiotic relationship with music theory, analysis, and history
- Empower independent study through self-awareness, critical thinking, and listening comprehension
About Mariam Nazarian
PIANIST, PEDAGOGUE, PRODUCER, RESEARCHER
Mariam made her Carnegie Hall debut at age 16 as the youngest pianist in Carnegie's history to have performed J.S. Bach's Goldberg Variations, BWV 988. Her holistic approach to performance, research, production, and pedagogy, has brought about innovative projects in collaboration with Princeton University's 3D3A Lab and the Berliner Philharmoniker under the direction of Sir Simon Rattle; the Leipzig Bach-Archiv; as well as numerous benefit concerts – produced on behalf of The Scheide Fund (Princeton) and Nazarian Music & Media – that have featured the Monteverdi Choir and English Baroque Soloists under the direction of Sir John Eliot Gardiner; the Vienna, Zurich, and English Chamber Orchestras; Festival Strings Lucerne; Bach-Collegium Stuttgart; and the Philadelphia Orchestra, among many others.
In addition to recording a critically-noted and commercially available CD of Bach's Goldberg Variations, appearing live on radio and television, winning prizes at competitions, and receiving international press recognition (in the Philadelphia Inquirer, The New York Times, TEEN PEOPLE Magazine, and “D” La Repubblica, among others), Mariam has performed as a recitalist, chamber musician and soloist with orchestras including Bach-Collegium Stuttgart, the Philadelphia Chamber Orchestra, and the Boston Pops, in venues including Symphony Hall (Boston), Lincoln Center / Alice Tully Hall (New York), Grand Philharmonic Hall (Saint Petersburg), the Glenn Gould Studio (Toronto), as well as in Spain, Italy, Germany, and Switzerland. Mariam has also co-produced guest speaker appearances with Harvard University's Office for the Arts and has served as programming advisor to the Arts Council of Princeton.
She is a frequent contributor to documentary and narrative feature film projects including Philip Kaufman's MESHUGAH, Edoardo Ponti's CRESCENDO, while coaching actors like Elijah Wood in GRAND PIANO to enable successful outcomes in on-screen musical performances. Mariam (a Bösendorfer Artist since 2002) is a graduate of the Mannes College of Music (NYC), Harvard University, and Clare Hall College, University of Cambridge.
